Artikel-Schlagworte: „body Language“

Masterclass with Yuri Bashmet

Dienstag, 31. Januar 2012

Intense two days with a focus on musicality, precision and body language

Thirteen Young Soloists gathered in Kronberg for two days of intense education with a great violist and and a man who understands the full spectrum of the human body language:  mime Samy Molcho. Mr. Molcho is known for his body language expertise while Yuri Bashmet, the world-renowned viola artist, demonstrated his unique musicianship and educational prowess for the young musicians. Samy Molcho´s session delivered an important input for the Young Soloists with regard to the character and quality of their stage presence: Learning and understanding the impact of  an artist´s movements and gestures while performing on stage representing an indirect kind of communication that influences how the artist is generally perceived by the audience. Thereby having an influence on how well the performance can be supported through the right body language.

The sessions with both artists were extremely well received and the stimulation and the insights that the two men had to offer left the group highly motivated. Walking through the hall of our KAM facilities I tried to gather some personal feedback from the young musicians about the sessions with the famous Russian violist.

Said Hanna Lee, 27, violist from Korea,  studying in Kronberg since October last year,
“there was so much information over these two days, I am extremely motivated to dig deeper into  the world of music and try to be more complete as a player. Yes, it was very worthwhile”.

Yura Lee, another Korean violist, now living in Boston, confirmed this view during a break on the last day and continued having great fun with some other fellow Young Soloists.

Ella van Poucke, 17, the youngest participant of the group, found that Mr. Bashmet was extremely focused on every single note of the composition. And Pablo Ferrández, 21, another young Soloist added, “ Mr. Bashmet pays enormous attention to every detail, he has great listening capabilities and I was overwhelmed that he listens to the very last millisecond of a tone. He helps to improve one´s listening skills greatly”.

István Várdai, 27, who will finish the masters programme mid-year, was dwelling on the very personal traits of Mr. Bashmet when he said “ We get along very well with each other, and his personality is of such a kind that I can relate to very much”.

Berlin-based Gabriel Schwabe, 24, just concentrated on two skills. “What makes him unique? I asked. “It´s his very precision and also his patience” Gabriel answered.

Stephen Potts, director of “Kronberg Academy Masters” programme, attended most of the sessions and together with his team colleagues Anne Zipf and Gisela Rösing provided for all the necessary support and logistical services that needed to be organised before, during and after the sessions.

When Mr. Bashmet was ready to rush out of the studio rooms just minutes after the final session was completed I could ask hastily two questions believing these would help characterise his engagement as a teacher in Kronberg.

What is special about Kronberg and its academy, Mr. Bashmet?”, I asked him. “It´s all about the atmosphere. The academy is like a family, that´s very special!”.

“And what do you gain as a teacher from engaging in this kind of activity?” was my follow-up question. Standing already in the doorway he paused for a second then said “ When I am working with very young highly talented musicians I am feeling younger myself”.

Michael Heinz / Kronberg Academy Team



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